Sitka Alaska Shoot

We just returned from a week shoot in Alaska. We went up there to tell a success story about the halibut fishery. It was quite an amazing trip. The landscape and people were wonderful. I went up a few days early before our director and camera/sound crew arrived to do some scouting and to meet the fishermen/women and fish processors in person.

Prior to our arrival, we had a hard time getting fishermen and fisherwomen to commit to interviews and fishing trips over the phone. So I hit the ground running. My job was to find as many halibut fishers as possible. But I also needed to find someone to take us out on a boat so we could film halibut fishing. This was not so easy. It was salmon season, and the majority of boats were focusing on salmon. Plus the weather looked like it was going to get really bad by the time the crew arrived. So I lucked out and found a boat called the Kathleen Jo heading out for a two-day halibut trip. I did some fast-talking, and within an hour I was on board heading out to sea with two kind fishermen.
I had brought my HDV video camera and a tripod. I am not sure why I bothered to bring the tripod. It was completely useless on a boat. I ended up getting some nice footage of the fishermen setting three sets of long-line gear. I got a little nauseous, but managed to keep all my cookies to myself. It’s hard to keep your balance, look through a viewfinder, and not get seasick. By the second day I had my sea legs and filmed the fishermen catching halibut without feeling like I might need to find the leeward side of the boat. They only caught about 30 halibut, but that was plenty for me to film. They said it was the worst catch they had ever had. But 30 halibut ended up being over 600 pounds. They caught twice the pounds of yelloweye. It’s a kind of orange rockfish. The fishermen said yelloweye is actually tastier than halibut.


By the middle of the second day, the weather report was calling for gale force winds, so we headed back to Sitka. The director, Rob Whittlesey and the cameraman, Harry Dawson, met me at the dock. Later we met up with our sound mixer, Phillip Powell and went out for the first of many fabulous seafood meals.

The next day we went to a fish processor and filmed several boats offloading their halibut catches.

Since the weather turned bad, it had chased all the fishing boats back to port. So we had lots to film. And what’s more, the weather was going to stay bad, which meant we were able to interview the fishermen/women of Sitka. If the sun had come out, we would have been out of luck.

All in all, the shoot went very smooth and we got the footage we hoped for! Click HERE to see all the photos from the shoot.

Strange Days on Planet Earth Host Shoot

Well it finally happened...we filmed our host, Edward Norton in LA. We would have filmed him earlier in the month, but a freak storm put an end to that plan.

The second planned shoot went very smoothly. Our line producer, Brook Holston spent weeks working on the pre-production plans. We only had two days, but we managed to film all of the scenes starring Edward Norton for both new episodes of "Strange Days on Planet Earth". "Dirty Secrets" and "Dangerous Catch" will be premiering on PBS in April 2008 (the day after Earth Day).

This shoot was especially exciting for me because I was brought on as the still photographer. This was the first time I had been on a crew where it was my sole responsibility to take photos. Normally, I am a PA (production assistant), so my job usually consists of doing whatever anyone tells me. Plus, I always take photos anyway. But this time I had the pleasure of focusing on just the photography. Also, someone hooked me up with a headset so I could listen in to all the production-speak. I am a scientist and a photographer by background, so the whole LA film scene was new to me. We had a 40 person + film crew this time. There were assistants for the assistants! Everything had to be perfectly choreographed so that we could film Edward Norton at all of the correct locations in the perfect light. We shot at a pier, a culvert, a fish market, a parking lot, a beach, and a water treatment plant.





Imagine getting that many people set up, tore down, and moved around in just two days. Kudos Brook!

“Once Upon a Tide”

Sea Studios Foundation, Monterey, CA 8/15/07.
In addition to producing science documentaries like “Shape of Life" and "Strange Days on Planet Earth" , we are starting to depart from traditional science narratives. “Once Upon a Tide” is a live-action / animated fable designed to touch people’s hearts by witnessing the journey of a little girl named Olive. Olive lives in a world, set in a time, not unlike our own, where a spell has been cast causing people to forget about the ocean and its importance to our lives. Luckily for Olive, she finds a shell that helps open her eyes to the magic of the ocean. Here are some stills from the film:



Animation created by LAIKA/house

Yesterday we shot two of the live action scenes in Monterey. We had what I thought was a big crew, a director, a DP, a sound recordist, an AC, a grip, a gaffer, two caterers, several producers, a child actress, her mother, a make up artist, a prop designer, me, and a crane operator. I guess that isn’t big by Hollywood standards, but it was the biggest shoot I had been on.



Everything went great. Olive, our star was good as gold. The weather cooperated for the most part. We thought our big hero, dune jib shot would be ruined by fog. But the sun came out just in time and we were rewarded with a beautiful sunset. It was a fabulous day!

Signing off for now...Hannah Smith Walker (Sea Studios Production / Post Coordinator)

Harry Potter and the search for the perfect children’s bedroom

Sea Studios Foundation, Monterey, CA 8/15/07.
While most everyone at Sea Studios was out having grand adventures in Africa, I had my own quest in Monterey. I had three weeks to find the perfect sand dune and the perfect children’s bedroom for an upcoming documentary called “Once Upon a Tide”. It was great trekking all around Monterey finding all different shapes and sizes of sand dunes.
But the bedroom was another story. I had struck out at every turn finding the mythical perfect child’s bedroom. But luckily, a boy named Harry Potter led me to a woman named Tammy.
The night before the new Potter book came out, I found myself in a library-sponsored trivia contest. I didn’t know a soul in the audience, but I noticed one of my competitors seemed to know everyone. Scores of people held up placards supporting a woman named Tammy and her daughters in Harry Potter trivia domination. Tammy wiped the floor with me and ended up winning the competition. When I went up to her to congratulate her, I surprised her by asking to take pictures of her daughters’ bedrooms. She gave me quite a funny look, as I tried to explain that I was scouting locations for Sea Studios. It all came out in a nonsensical rush, but fortunately a woman near by perked up and said, “Sea Studios, I know Sea Studios, they make wonderful films”.

So, to make a long story short Tammy showed me her wonderful home, and two weeks later a giant film crew invaded her house.